THE INTERNATIONAL COMIC ARTS FORUM
  • Home
  • About ICAF
    • Cecile Danehy in Memoriam
    • Executive Committee
    • New ExCom Members
  • Conference
    • ICAF 2020 Virtual Conference >
      • ICAF 2020 Virtual Conference Program
      • ICAF 2020 Virtual Conference Blog Posts
      • Roundtables >
        • Publishing Roundtable
        • From Gender and Violence to Cyborgs and Selfhood
        • Representation, Repatriation, and Renovation
        • New Perspectives on Reading Comics
        • Comics Trauma: Representing Violence and Genocide
        • Graphic Activism: The Extraordinary, the Ordinary, and the Precarious
        • Critical Interventions in Comics Studies
    • ICAF 2019 in Review
    • Past ICAF Programs
  • Lent Scholarship
    • 2019 Lent Award
  • Comics Studies Bibliography
    • Comics Studies Bibliography 2021
  • Donate
  • Contact

Political Geographies of Race in James Baldwin and Yoran Cazac’s Little Man, Little Man

11/12/2020

 

Maite Urcaregui

Doctoral candidate of English at the University of California, Santa Barbara.

Picture
James Baldwin and Yoran Cazac’s Little Man, Little Man: A Story of Childhood is Baldwin’s love letter to Harlem and to his nephew, Tejan, for whom the story was written. The illustrated children’s book, which was marketed as “a child’s story for adults” on its original jacket cover (1976), follows a day in the life of four-year-old TJ as he moves throughout his Harlem neighborhood with his friends WT and Blinky. While the story could be categorized as an illustrated book, I purposefully place it within a capacious definition of graphic narrative and, thus, in the purview of comics studies. The story places images in intricate spatial relationships, at times creating panel-like structures, that exceed the illustrative and become integral to how the text creates meaning. Through its visual form, Baldwin and Cazac’s graphic narrative make visible how political geographies of race, particularly architectures of surveillance and policing, contour TJ’s experience with space. ​​


Read More

    About

    Due to the ongoing pandemic crisis, ICAF was forced to cancel its events at the 2020 Small Press Expo. Over the next 16 weeks (give or take), we will be publishing
    a series of short posts  submitted by some of the scholars whose original papers were meant to be presented at ICAF@SPX 2020 as a lead up and supplement to our ongoing virtual panels.

    Archives

    February 2021
    January 2021
    December 2020
    November 2020
    October 2020

    Categories

    All
    Comics Studies
    Feminism
    James Baldwin
    Latin American Studies
    Picture Book
    Queer Studies
    Race
    State Of The Field
    Trans Studies
    Violence
    Webcomics
    Wonder Woman

    RSS Feed

  • Home
  • About ICAF
    • Cecile Danehy in Memoriam
    • Executive Committee
    • New ExCom Members
  • Conference
    • ICAF 2020 Virtual Conference >
      • ICAF 2020 Virtual Conference Program
      • ICAF 2020 Virtual Conference Blog Posts
      • Roundtables >
        • Publishing Roundtable
        • From Gender and Violence to Cyborgs and Selfhood
        • Representation, Repatriation, and Renovation
        • New Perspectives on Reading Comics
        • Comics Trauma: Representing Violence and Genocide
        • Graphic Activism: The Extraordinary, the Ordinary, and the Precarious
        • Critical Interventions in Comics Studies
    • ICAF 2019 in Review
    • Past ICAF Programs
  • Lent Scholarship
    • 2019 Lent Award
  • Comics Studies Bibliography
    • Comics Studies Bibliography 2021
  • Donate
  • Contact