Comics Scholarship Bibliography​

What follows is a list of English-language comics scholarship published roughly from January 2017 to July 2018. Future installments of this bibliography will roll out on a six-month schedule, with the next set to appear in late January 2019, covering July-December 2018. Comics studies is a rapidly expanding interdisciplinary field, and this resource is intended to highlight the recent work in comics studies produced by scholars working in diverse departments, fields, and institutions. The bibliography is organized in two sections: one for monographs and edited collections, and another for peer-reviewed journal articles and essays from scholarly anthologies not primarily devoted to comics.

We compiled these citations by examining several comics-focused academic book publishers and journals and by issuing a call through various online platforms for comics scholars to submit citations. Because we relied heavily on self-reporting for this inaugural list, it is not comprehensive. Rather, it provides an overview of current work in the field and a place for scholars to search for connections, parallels, and affinities to their own work. For scholars looking to expand their inquiries with a searchable database focused on comics, the Bonn Online Bibliography of Comics Research is an eminently useful resource, and scholars may wish to consult the MLA International Bibliography, Art Full Text, and other such more general databases.
​
If your work was left out of this edition of the list, please submit a citation to [email protected] in the most recent MLA format and we will include it in the next update.

---

Monographs and Edited Collections

Abate, Michelle Ann, and Gwen Athene Tarbox, editors. Graphic Novels for Children and Young Adults: A Collection of Critical Essays. University Press of Mississippi, 2017.

• “This Is a Well-Loved Book”: Weighing (in on) Jeff Smith’s Bone -- Annette Wannamaker
• “What Is China but a People and Their (Visual) Stories?” The Synthetic in Narratives of Contest in Gene Luen Yang’s Boxers and Saints -- Karly Marie Grice
• Comics, Adolescents and the Language of Mental Illness: David Heatley’s “Overpeck” and Nate Powell’s Swallow Me Whole -- Sarah Thaller
• Not Haunted, Just Empty: Figurative Representation in Sarah Oleksyk’s Ivy -- Catherine Kyle
• “Are You and Artist Like Me?!” Do-It-Yourself Diary Books, Critical Reading, and Reader Interaction within the Worlds of the Diary of a Wimpy Kid and Dork Diaries Series -- Rachel L. Rickard Rebellino
• Parodic Potty Humor and Superheroic Potentiality in Dav Pilkey’s The Adventures of Captain Underpants -- Joseph Michael Sommers
• Multimodality is Magic: My Little Pony and Transmedia Strategies in Children’s Comics -- Aaron Kashtan
• Framing Agency: Comics Adaptations of Coraline and City of Ember -- Meghann Meeusen
• From Who-ville to Hereville: Integrating Graphic Novels into an Undergraduate Literature Course      -- Gwen Athene Tarbox
• Looking beyond the Scenes: Spatial Storytelling and Masking in Shaun Tan’s The Arrival -- Christiane Buck and Cathy Ryan
• When Young Writers Draw Their Voices: Creating Hybrid Comic Memoirs with Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian -- Michael L. Kersulov, Mary Beth Hines, and Rebecca Ruppert
• Unbalanced on the Brink: Adolescent Girls and the Discovery of the Self in Skim and This One Summer by Mariko Tamaki and Jillian Tamaki -- Marni Stanley
• The Drama of Coming Out: Censorship and Drama by Raina Telgemaier -- Eti Berland
• “What the Junk?” Defeating the Velociraptor in the Outhouse with the Lumberjanes -- Rachel Dean-Ruzicka
• Engendering Friendship: Exploring Jewish and Vampiric Boyhood in Joann Sfar’s Little Vampire -- Rebecca A Brown
• Gothic Excess and the Body in Vera Brogsol’s Anya’s Ghost -- Krystal Howard
• Graphically/Ubiquitously Separate: The Sanctified Littering of Jack T. Chick’s Fundy-Queer Comics -- Lance Weldy
• Waiting for Spider-Man: Representations of Urban School “Reform” in Marvel Comics’ Miles Morales Series -- David E. Low
• “Walk Together, Children”: The Function and Interplay of Comics, History and Memory in Martin Luther King and the Montgomery Story and John Lewis’s March: Book One -- Joanna C. Davis-McElligatt
• Sita’s Ramayana’s Negotiation with an Indian Epic Pictures Storytelling Tradition -- Anuja Madan
• Coda: Whether We Want Them or Not: Building an Aesthetic of Children’s Digital Comics -- Joe Sutliff Sanders

Aldama, Frederick Luis, editor. Comics Studies Here and Now. Routledge, 2018.

• A Touch of Irony and Pity: Krazy Kat in the Breaks -- Ben Novotny Owen
•  In Love with Magic and Monsters: The Groundbreaking Life and Work of Rose O’Neill -- Richard Graham and Colin Beineke
• It’s sorta wacky! But, different!: Scribbly, Inkie, and Pre-Underground Autobiographical Comics  -- Andrew J. Kunka
• How Lust Was Lost: Genre, Identity, and the Neglect of a Pioneering Comics Publication -- Robert Hulshof-Schmidt
• Comics, Race, and the Political Project of Intermediality in Karen TeiYamashita’s I Hotel -- Jennifer Glaser
• Alfred Hitchcock’s Rear Window as ‘cineromanzo’ -- Jan Baetens
• Articulate This!: Critical Action Figure Studies and Material Culture -- Jonathan Alexandratos and Daniel F. Yezbick
• Singapore cartoons in the anti-comics movement of the 1950s and 1960s -- Lim Cheng Tju
• The Institutional Support for Hong Kong Independent Comics -- Kin Wai Chu
• Jirō Taniguchi: France’s Mangaka -- Bart Beaty
• The Latina Superheroine: Protecting the Reader from the Comic Book Industry's Racial, Gender, Ethnic, and Nationalist Biases -- Enrique García
• The Page is Local: Planetarity and Embodied Metaphor in Anglophone Graphic Narratives from South Asia -- Torsa Ghosal
• Hands Across the Ocean: A 1970s Network of French and American Women Cartoonists -- Leah Misemer
• Comics as Orientation Devices -- Katherine Kelp-Stebbins
• Service Dogs, Code Switching, and Interracial Polyamory: Exploring the Reclamation Narratives of Comic Fandom -- Erica Massey
• Once and Again, Ack!: Epimone, Recursion, and Variation in Guisewite’s Cathy -- Susan Kirtely
• Transnationality and Textual Mestizaje in Love and Rockets -- Brittany Tullis
• Only a Chilling Elegy: An Examination of White Bodies, Colonialism, Fascism, Genocide, and Racism in Dragon Ball -- Zachary Michael Lewis Dean
• From the Inner City to the Interstellar: Brian K. Vaughan’s Comix after 9/11 -- James J. Donahue
• Am I Doing the Right Thing?": Milestone Comics, Black Nationalism, and the Cosmopolitics of Static -- Sean Guynes
• Reconceptualizing the ‘Immature’: Humor in John Layman and Rob Guillory's Chew --Christopher Pizzino

-- Latinx Superheroes in Mainstream Comics. The University of Arizona Press, 2017.

​Barba, Shelley E., and Joy M. Perrin, editors. The Ascendance of Harley Quinn: Essays on DC’s Enigmatic Villain. McFarland & Company, Inc, 2017.

• “It is to laugh”: The History of Harley Quinn -- Emilee Owens
• Harlequin Romance: The Power of Parody and Subversion -- Cia Jackson
• She Laughs by Night: Mad Love, the New 52 and Noir -- Gregory Bray
• The Clock Is Ticking -- Brandon Benge
• “That just proves he wants me back”: Pure Victimhood, Agency and Intimate Partner Violence in Comic Book Narratives -- K. Scarlett Harrington and Jennifer A. Guthrie
• Bride of the Monster: Harley Quinn as a Case of Hybristophilia -- Michał Siromski
• A New Kind of Leading Lady: The Complexity of Surviving Abuse and Becoming a Hero -- Willmaria C. Miranda
• Duality and Double Entendres: ­Bi-Coding the Queen Clown of Crime from Subtext to Canon -- Alex Liddell
• Victim, Villain or Antihero: Relationships and Personal Identity -- Amanda Hoyer
• “Stronger than their Madhouse Walls”: Disrupting Gotham’s Freak Discourse in “Mad Love” and “Harley Quinn” -- Aidan Diamond
• Arkham Origins: Looking at ­Grown-Up Themes Through the Lens of a Kid’s TV Show -- Derek Moreland
• Harlequin, Nurse, Street Tough: From ­Non-Traditional Harlequin to Sexualized Villain to Subversive Antihero -- Justin Wigard
• Problematic Fave: Gendered Stereotypes in the Arkham Video Game Series -- Ian Barba
• The Motley Queen: A “Spicy Package” of Misrule -- Erica McCrystal
• There Shall Be Order from Chaos: Hope and Agency Through the Harlequine’s Subalternity -- Michelle Vyoleta Romero Gallardo and Nelson
• The “Mistress of Mayhem” as a Proxy for the Reader: A Metafictional Link Between Fiction and Reality -- Megan Sinclair
• Super-Villain or Sociopath: Evilness at the Turn of the Century -- Fernando Gabriel Pagnoni Berns and Leonardo Acosta Land

Campbell, Eddie. The Goat Getters: Jack Johnson, The Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics. IDW, 2018.

Costello, Brannon. Neon Visions: The Comics of Howard Chaykin. Louisiana State University Press, 2017.

Cutter, Martha J., and Cathy J. Schlund-Vials, editors. Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels. The University of Georgia Press, 2017.

• Coloring a Planetary Republic of Comics -- Frederick Luis Aldama
• Redrawing the Historical Past: History, Memory and Multiethnic Graphic Novels -- Martha J. Cutter and Cathy J. Schlund-Vials
• Redrawing Race: Renovations of the Graphic and Narrative History of Racial Passing in Mat Johnson and Warren Pleece’s Incognegro -- Martha J. Cutter
• Nostalgic Realism: Fantasy, History and Brer-Rabbit Trickster Ambiguity in Jeremy Love’s Bayou -- Taylor Hagood
• Teaching History Through and as Asian/American Popular Culture in Gene Luen Yang’s Boxers and Saints -- Caroline Kyunagh Hong
• Who Needs a Chinese American Superhero? Gene Luen Yang and Sonny Liew’s The Shadow Hero as Asian American Historiography -- Monica Chiu
• Stuck Rubber Baby and the Intersections of Civil Rights Historical Memory -- Julie Buckner Armstrong
• On Photo-Graphic Narrative: ‘To Look--Really Look’ In Lila Quintero Weaver’s Darkroom -- Jorge Santos
• Environmental Graphic Memory -- Remembering the Natural World and Revising History in Vietnamerica -- Jeffrey Santa Ana
• Illustrating Diaspora: History and Memory in Vietnamese American and French Graphic Novels -- Catherine H. Nguyen
• Punking the 1990s: Cristy C. Road’s Historical Salvage Project in Spit and Passion
• Speculative Fictions, Historical Reckonings and ‘What Could Have Been’: Scott McCloud’s The New Adventures of Abraham Lincoln -- Cathy J. Schlund-Vials
• Fractured Innocence in G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty -- Katharine Capshaw
• Art Spiegelman and the Caricature Archive -- Jennifer Glaser

Darowski, Joseph J., editor. The Ages of the Justice League: Essays on America’s Greatest Superheroes in Changing Times. McFarland & Company, Inc., Publishers, 2017.

• The Brave and Bold Beginning of the Silver Age Superteam -- John Darowski
• A League of Orphans and Single Parents: Making a Family in an Era of Father Knows Best -- Louie Dean ­Valencia-García
• The Caged Bird Sings: The Justice League of America and the Domestic Containment of Black Canary -- Thomas C. Donaldson
• Social Justice and Silver Age Superheroes -- W.C. Bamberger
• Relevance in Wonderland: The Mixed Success of Gardner Fox’s Message Comic Books -- Gene Phillips
• A Crisis of Infinite Dearth: Winning Vietnam via the ­Never-Ending War on ­Earth-X -- Peter W. Lee
• The Benefits of Doubts: Steve Englehart’s Radical Take on Tradition -- Jason Sacks
• The ­Not-So-Golden Age: Gender, Race and Nostalgia in All-Star Squadron 1981–1987 -- Ruth ­McClelland-Nugen
• Gritty Levity: The Giffen/DeMatteis Era of the Justice League -- Charles Henebry
• “I’m Batman! Bwah ha ha!” Comedy in the Grim ’n’ Gritty Eighties -- Brian Cogan
• Lacking Leadership: The Justice League Europe’s Place in              the DC Universe -- Fernando Gabriel Pagnoni Berns and Leonardo Acosta Lando
• Extreme Transitions: Trends and Trepidations from 1992 to 1996 -- D.R. Hammontree
• What We’ve Got Here Is a Failure to Communicate: Trust, Technology and Fear in “The Tower of Babel” -- Nicole Freim
• “Whether we fear we do too much—or not enough”: JLA/Avengers and the ­Cross-Universe Causes of Conflict -- Joseph J. Darowski
• Madwomen: Sexism as Nostalgia, or Feminism in The New Frontier -- Jennifer ­Swartz-Levine
• Absolute Secrets Kept Absolutely: Public Memory and Forgetting in Identity Crisis -- Daniel J. ­O’Rourke        
• The Good, the Bad and the Reboot: Justice League in the New 52 -- Cathy Leogrande

​Dawson, Varughese E. Visuality and Identity in Post-Millennial Indian Graphic Narratives. Palgrave Macmillan, 2017.

Di Paolo, Marc, editor. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics. University Press of Mississippi, 2018.

• Cultivating Empathy: The Subversive Potential of Populist Comic Books -- Marc DiPaolo
• Past Lives: Memory and the Meaning of Work in The Walking Dead -- Michele Fazio
• You Can Be Whatever The Hell You Want: Heroism and the Female Working Class in Preacher -- Kelly Kanayama
• Alan Moore and Anarchist Praxis in Form: Bibliography, Remediation, and Aesthetic Form in V for Vendetta and The Black Dossier -- James Gifford and Orion Ussner Kidder
• Truth, Justice and the Socialist Way?: The Politics of Grant Morrison’s Superman -- Phil Bevin
• From the Streets to the Swamp: Luke Cage, Man-Thing, and the 1970s Class Issues of Marvel Comics -- Blair Davis
• “It’s Just Us Here”: Daredevil and the Trauma of Big Power -- Kevin Michael Scott
• Jack Kirby: The Not So Secret Identity of the Thing -- Andrew Alan Smith
• Marvel’s Shamrock: Haunted Heroine, Working Woman, Guardian of the Galaxy -- Chistina M. Knopf
• The Working Class PI (AKA Jessica Jones) -- Terrence R. Wandtke

Earle, Harriet E. H. Comics, Trauma, and the New Art of War. University Press of Mississippi, 2017.

Gardner, Jared, and Ian Gordon, editors. The Comics of Charles Schulz: The Good Grief of Modern Life. University Press of Mississippi, 2017.

• Peppermint Patty’s Desire: Charles Schulz and the Queer Comics of Failure -- Ben Saunders
• “There Has To Be Something Deeply Symbolic in That”: Peanuts and the Sublime -- Anne C. McCarthy
• Saying, Showing, and Schulz: The Typography and Notation of Peanuts -- Roy T Cook
• Consuming Childhood: Peanuts and Children’s Consumer Culture in the Postwar Era -- Lara Saguisag
• “How Can We Lose When We’re So Sincere?”: Varieties of Sincerity in Peanuts -- Leonie Brailey
• “I Thought I Was Winning In the Game of Life … But There Was a Flag on the Play”: Sport in Charles Schulz’s Peanuts -- Jeffrey O. Segrave
• Footballs and Ottim Liffs: Charlie Brown in Coconino -- Michael Tisserand
• Schulz in the Late Sixties: Snoopy’s Sign of the Times -- Joseph J. Darowski
• Franklin and the Early 1970s -- Christopher P. Lehman
• Making A World For All of God’s Children -- A Charlie Brown Christmas and the Aesthetics of Doubt and Faith -- Ben Novotny Owen
• Charles Schulz, Comic Art, And Personal Value -- M.J. Clarke
• Charlie Brown Cafés and the Marketing of Peanuts in Asia -- Ian Gordon
• Chips Off the Ol’ Blockhead: Evidence of Influence in Peanuts Parodies -- Gene Kannenberg Jr.

Gavaler, Chris. Superhero Comics. Bloomsbury Academic. 2018.

Giddens, Thomas. On Comics and Legal Aesthetics: Multimodality and the Haunted Mask of Knowing. Routledge, 2018.

Ginn, Sherry, editor. Marvel’s Black Widow from Spy to Superhero: Essays on an Avenger with a Very Specific Skill Set. McFarland & Company, Inc., Publishers, 2017.

• Introduction: Black Widow’s Place in Marvel’s Universes and Our Own -- Sherry Ginn
• A “Very Specific Skill Set”: Black Widow’s Use of Language in The Avengers -- Malgorzata Drewniok
• In Search of the Complete Female Character in Marvel’s Cinematic Universe -- Heather M. Porter
• Front and Center: Examining Black Widow Fanvids -- Samira Nadkarni
• “Eyes Front, Ivan!” The Comic Books’ Journey through Fashions and Men -- Valerie Estelle Frankel
• Feminism in American Cinema: The Many Incarnations of Black Widow -- Jillian Coleman            Benjamin
• Red Rooms, Conditioning Chairs and Needles in the Brain: Brainwashing and Mind Control in the Whedon and Marvel Universes -- Sherry Ginn
• Joss Whedon’s Radical Icon of Third Wave Feminism -- Lewis Call
• Athena’s Daughter: Black Widow’s Impact Aesthetic -- David Kociemba
• The Elusive Black Widow Film: Fan-Made Texts as Social Desire Paths -- Tanya R. Cochran

Gordon, Ian. Superman: The Persistence of an American Icon. Rutgers University Press, 2017.

Grace, Dominick, and Eric R. Hoffman, editors. The Canadian Alternative: Cartoonists, Comics, and Graphic Novels. University Press of Mississippi, 2018.

•  Alternatives Within an Alternative Form: Canadian Wartime Creators Bus Griffiths, Avrom Yanovsky, “Ab Normal,” Ted Steele, and Jack Tremblay -- Ivan Kocmarek
•  The State As Alternative: Conceptualizing the Historical Role of Government Comics in Canada -- Mark J. McLaughlin
• Gene Day: The Man Who Never Slowed Down -- Jason Sacks
• Paul “Moose” MacKinnon and An Alternate Cape Breton -- Ian Brodie
• Michel Gets a Comics Job: Cartooning Labor, and Notions of the Alternative in the Comics of Michel Rabagliati -- Paddy Johnston
• Vicky: Young, Rich, Popular, Sexy, Gay, and Unhappy -- Annick Pellegrin
• Nowadays and the Free Will of the Zombie Apocalypse -- Judith Leggatt
• “Once Upon A Time This Was a True Story”: Indigenous Peoples Graphic Novels and Orature -- Jessica Langston
• Cerberus the Canadian: Frontier Survivalism and Victimhood in Sim and Gerhard’s Epic -- Eric Hoffman
• Seth’s It’s A Good Life, If You Don’t Weaken as Anti-Nostalgia -- Dominick Grace
• Louis Riel, Super-History Hero: The Politics of Representation on Chester Brown’s Louis Riel: A Comic Strip Biography -- Jordan Bolay
• Hark! Anachronism: Kate Beaton’s Historiographic Metafiction -- Daniel Marrone
• Ray Fawkes’s Formal and Stylistic Shifts in the Field of Comic Book Production -- Ruth-Ellen St. Onge
• “To Dream of Birds”: Autobiography, Photography, and Memory in Nina Bunjevac’s “August, 1977” and Fatherland -- Michala Precup
• Alternative Paradoxes in Heartless: The Bound and Transcultural Catwoman in Nina Bunjevac’s “Bitter Tears of Zorka Petrovic” -- Laura A. Pearson
• The Postcolonial Enterprise of Trillium: Maps, Language, and Multilateral Consciousness -- Joan Ormrod
• Making Space for Making Space: Jeff Lemire’s Essex County and the Canadian Alternative -- Jocelyn Sakal Froese 

Gray, Maggie. Alan Moore, Out From the Underground. Springer, 2017.

Grennan, Simon. A Theory of Narrative Drawing. Palgrave Macmillan, 2017.

Groensteen, Thierry. Ann Miller, trans. The Expanding Art of Comics: Ten Modern Masterpieces. University Press of Mississippi, 2017.

Heimermann, Mark, and Brittany Tullis, editors. Picturing Childhood: Youth in Transnational Comics. First edition, University of Texas Press, 2017.

• Putting Childhood Back into World Comics: A Foreword -- Frederick Luis Aldama
• Bridging Comics Studies and Childhood Studies -- Mark Heimermann and Brittany Tullis
• Little Orphan Annie as Streetwalker -- Pamela Robertson Wojcik
• Competent Children and Social Cohesion: Representations of Childhood in Home Front Propaganda Comics during World War II in Finland -- Ralf Kauranen
• In the Minority: Constructions of American Dream Childhood in 1950s–Early 1960s Little Audrey Comics -- Christopher J. Hayton and Janardana D. Hayton
• Comics and Emmett Till -- Qiana Whitted
• Out of the Mouths of Babes: Mafalda's Interrogation of the Argentine Angel in the House -- Brittany Tullis
• Sex, Comix, and Masculinity: The Rhetoric of Zap Comix's Attack on the American Mainstream, by Ian Blechschmidt
• RAW and Little Lit: Resisting and Redefining Children's Comics -- Lara Saguisag
• Lolicon: Adolescent Fetishization in Osamu Tezuka's Ayako -- James G. Nobis
• Wise beyond Her Years: How Persepolis Introjects the Adult into the Child -- Clifford Marks
• Vehlmann, or the End of Innocence: Lessons in Cruelty in Seuls and Jolies ténèbres -- Annick Pellegrin
• Zeno, Childhood, and The Three Paradoxes -- C. W. Marshall
• Dancing with Demons: Consciousness and Identity in the Comics of Lynda Barry -- Tamryn Bennett
• The Grotesque Child: Animal-Human Hybridity in Sweet Tooth -- Mark Heimermann
• Herman, David, editor. Animal Comics: Multispecies Storyworlds in Graphic Narratives. Bloomsbury Academic, 2018.
• More-than-Human Worlds in Graphic Storytelling -- David Herman
• Lions and Tigers and Fears: A Natural History of the Sequential Animal -- Daniel F. Yezbick
• The Animalized Character and Style -- Glenn Willmott
• The Politics and Poetics of Alterity in Adam Hines's Duncan the Wonder Dog -- Alex Link
• The Saga of the Animal as Visual Metaphor for Mixed-Race Identity in Comics -- Michael A. Chaney
• Curly Tails and Flying Dogs: Structures of Affect in Nick Abadzis's Laika -- Carrie Rohman
• Invasive Species: Manga's Insect-Human Worlds -- Mary A. Knighton
• Resituating the Animal Comic: Environmentalist Aesthetics in Matt Dembicki's Xoc: The Journey of a Great White -- Laura Pearson
• Interspecies Relationships in Graphic Micronarratives: From Olivier Deprez to Avril-Deprez -- Jan Baetens
• Animal Minds in Nonfiction Comics -- David Herman
• Can We Be Part of the Pride? Reading Animals through Comics in the Undergraduate Classroom -- Andrew Smyth and Charles E. Baraw
• This is Home -- Bridget Brewer and Thalia Field

​Hyman, David. Revision and the Superhero Genre. Palgrave MacMillan, 2017.

Jeffries, Dru. Comic Book Film Style: Cinema at 24 Panels Per Second. University of Texas Press, 2017.

Kashtan, Aaron. Between Pen and Pixel: Comics, Materiality, and the Book of the Future. The Ohio State University Press, 2018.

Kennedy, Martha H. Drawn to Purpose: American Women Illustrators and Cartoonists. University Press of Mississippi, in association with the Library of Congress, 2018.

Kunka, Andrew. Autobiographical Comics. Bloomsbury Academic, 2017.

Lent, John A., and Ying Xu. Comics Art in China. University Press of Mississippi, 2017.

McLaughlin, Jeff, editor. Graphic Novels as Philosophy. University Press of Mississippi, 2017.

•               What Is It Like To Be a Graphic Novel -- Jeff McLaughlin
•               Philosophy In The Bargain: A Contract With God (1978) by Will Eisner -- Jarko Tuusvuori
•               Jimmy Corrigan and the Time of Crisis -- Manuel “Mandel” Cabrera Jr.
•               Autonomy in Children: Accessing the Inaccessible Space in Essex County: Vol. 1: Tales From The Farm --Maria Botero
•               Love and Liberty: The Social Contract in V for Vendetta -- Eric Bain-Selbo
•               Asterix, Carnival, and the Wonder of Everyday Life -- Jeremy Barris
•               Queering Epistemology and the Odyssey of Identity in Alison Bechdel’s Fun Home  -- Ian MacRae
•               The Minor Machinery of Animal Packs: Becoming as Survival in Spiegelman’s Maus -- Corry Shores
•               Entangled Memories and Received Histories: Reading Sacco’s Footnotes in Gaza -- David J. Leichter
•               Living in a Fictional World: Reading and Identification in Lost Girls -- Alfonso Muñoz Corcuera

Mikkonen, Kai. The Narratology of Comic Art. Routledge, Taylor & Francis Group, 2017.

Murray, Christopher. The British Superhero. University Press of Mississippi, 2017.

Newbold, Jamie, and Michelle Nolan. The Forensic Comicologist: Insights from a Life in Comics. McFarland & Company, Inc., Publishers, 2018.

Polak, Kate. Ethics in the Gutter: Empathy and Historical Fiction in Comics. The Ohio State University Press, 2017.

Soper, Kerry. Gary Larson and the Far Side. University Press of Mississippi, 2018.

Tabachnick, Stephen E., editor. The Cambridge Companion to the Graphic Novel. Cambridge University Press, 2017.

• How the Graphic Novel Works -- Randy Duncan and Matthew J. Smith
• From Comics to the Graphic Novel: William Hogarth to Will Eisner -- Stephen E. Tabachnick
• The Development of the American Graphic Novel: Will Eisner to the Present -- Stephen Weiner
• The International Graphic Novel -- Dan Mazur and Alexander Danner
• Historical fiction -- Hugo Frey
• Revisionist Superheroes, Fantasy, and Science Fiction -- Darren Harris-Fein
• The Autobiographical and Biographical Graphic Novel -- Martha Kuhlman
• Other Non-Fiction -- Jan Baetens
• Novel into Graphic Novel -- Esther Bendit Saltzman
• Graphic Novel into Film -- M. Keith Booker
• Some Classics -- Bart Beaty
• Learning from the Graphic Novel -- James Bucky Carter.

Ursini, Francesco-Alessio, et al., editors. Visions of the Future in Comics: International Perspectives. McFarland & Company, Inc., Publishers, 2017.

• Narrative, Time Travel and Richard McGuire’s “Here” -- Roy T Cook
• One Soul, From Hell and Here: The Graphic Novel Page as Time Machine -- Alex Fitch
• English Apocalypses and Robot Skateboards: Warren Ellis’ Futures -- Keith Scott
• Where Is the Future? An Analysis of Places and Location Processes in Comics -- Francesco-Alessio Ursini
• Hallucinations of Present Future: Futuristic Patterns Through Images in Japanimation Works -- Maxime ­Boyer-Degoul
• The Future Is (Ancient) History: Judge Dredd and the Futuristic Legacy of the Classical World -- Isak Hammar
• The Haunted Futures of Gothic Comics -- Fred Francis
• Dystopian Chaos, Dystopian Order: Differing Ideological Reinterpretations of the Masked Vigilante in Miller’s The Dark Knight Returns and Moore and Lloyd’s V for Vendetta -- Joakim Jahlmar
• Tragicomic Books: Reading Watchmen and Kingdom Come as Pop Apocalyptic -- Aaron Gaius Ricker            
• Maxime Miranda in Minimis: The Anthropocene in Nausicaä of the Valley of the Wind -- Adnan Mahmutović and Denise Ask Nunes
• The End Is Ahora: Images of the Future in the Mexican Comics La blanda patria and 1874 -- Gabriela Mercado Narváez
• The Future in Swedish ­Avant-Garde Comics, 2006–2014 -- Margareta Wallin Wictorin and Anna Nordenstam
• Where Comics and Movies Converge: Days of Future Present -- Ana Cabral Martins

Woo, Benjamin. Getting a Life: The Social Worlds of Geek Culture. McGill-Queen’s University Press, 2018.

​Yockey, Matt, editor. Make Ours Marvel: Media Convergence and a Comics Universe. University of Texas Press, 2017.

• Excelsior! Or, Everything That Rises Must Converge -- Matt Yockey
• Reforming the “Justice” System: Marvel’s Avengers and the Transformation of the All-Star Team Book -- Mark Minett and Bradley Schauer
• Man Without Fear: David Mack, Daredevil, and the “Bounds of Difference” in Superhero Comics, -- Henry Jenkins
• “This Female Fights Back!”: A Feminist History of Marvel Comics-- by Anna F. Peppard
• “Share Your Universe”: Generation, Gender, and the Future of Marvel Publishing, -- Derek Johnson
• Breaking Brand: From NuMarvel to MarvelNOW! Marvel Comics in the Age of Media Convergence -- Deron Overpeck
• Marvel and the Form of Motion Comics -- by Darren Wershler and Kalervo A. Sinervo
• Transmedia Storytelling in the “Marvel Cinematic Universe” and the Logics of Convergence-Era Popular Seriality -- Felix Brinker
• The Marvel One-Shots and Transmedia Storytelling -- Michael Graves
• Spinning Webs: Constructing Authors, Genre, and Fans in the Spider-Man Film Franchise -- James N. Gilmore
• Playing Peter Parker: Spider-Man and Superhero Film Performance -- Aaron Taylor
• Spotting Stan: The Fun and Function of Stan Lee’s Cameos in the Marvel Universe(s) -- Dru Jeffries
• Schrödinger’s Cape: The Quantum Seriality of the Marvel Multiverse -- William Proctor

Articles and Essays​

The citations in this section include peer-reviewed journal articles and essays from scholarly anthologies not primarily devoted to comics.

Abate, Michelle Ann. “’Good Times Are Ahead. Or Behind. Because They Sure Aren’t Here’: Garfield and Negative Space.”  Inks: The Journal of the Comics Studies Society, vol. 1, no. 3, 2017, pp. 288-308.
 
---. “’You are Een the House of Sanjak!’: Terry and the Pirates, the First Lesbian Character in U.S. Comics, and the Roots of Wonder Woman.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 3, 2018, http://www.english.ufl.edu/imagetext/archives/v9_3/abate/.
 
Abate, Michelle Ann, Karly Marie Grice and Chrstine N. Stamper. “Introduction: ‘Suffering Sappho!’: Lesbian content and queer female characters in comics.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1449500.
 
Abbatelli, Valentina. “Looking at captions to get the full picture. Framing illustrations in Italian editions of Uncle Tom’s Cabin.” Image & Narrative, vol. 19, no. 1, 2018, pp. 46-61, http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1759.
 
Acheson, Charles. “Networking Multivalence Trauma through Holonymic Representation in David B.’s Epileptic.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/acheson/.
 
Addis, Victoria. “The Musicalization of Graphic Narratives and P. Craig Russell’s Graphic Novel Operas, The Magic Flute and Salomé.” Studies in Comics, vol. 8, no. 1, 2017, pp. 7-28.
 
Alaniz, José. “The Shoah, Czech comics and Drda/Mazal’s ‘The Enormous Disc of the Sun.’” Beyond Maus: Comic Books, Graphic Novels, and the Holocaust, a special issue of Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 64–78.
 
Alexio, Paul A. and Krystina Sumner. “Memory for Biopsychology Material Presented in Comic Book Format.” Journal of Graphic Novels and Comics, vol. 8, no. 1, 2017, pp. 79-88.
 
Allocco, Katherine. “Could Guinevere Ever Be a Superhero? Depictions of a Warrior Queen in Camelot 3000.” Journal of Graphic Novels and Comics, vol. 9, no. 1, 2018, pp. 75-92.
 
Alshiban, Afra. “Saudi Arabia’s Role in Advancing Comics.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 51-77.
 
Anderson, Ho. Che. “80-’89: Comics’ Greatest Decade.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/anderson/.
 
Antliff, Allan. “Pedagogical Subversion: The “Un-American” Graphics of Kevin Pyle.” SubStance, vol. 46, no. 2, 2017, pp. 95-109.
 
Anzaldua, Veronica. “Beyond Images and Gags: Comic Rhetoric in ‘Luann.’” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 525-537.
 
Atkinson, Paul. “Between Movement and Reading: Reconceptualizing the Dynamic Picture Plane in Modernist Comics and Painting.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 3, 2018, http://www.english.ufl.edu/imagetext/archives/v9_3/atkinson/.
 
Axel, Donna and Roberta Spivak. “Asterix’s Journey to Find Oil: Environmental Traumics.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/axel/.
 
Baetens, Jan and Hugo Frey. “‘Layouting’ for the Plot: Charles Burns and the Clear Line Revisited.” Journal of Graphic Novels and Comics, vol. 8, no. 2, 2017, pp. 193-202.
 
Baetens, Jan. “Drawing Photo Novels.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/baetens/.
 
Barnes, John Jeffrey. “A Dictated Policy: Cartoons and the 1936 Strike in Palestine.” Journal of Graphic Novels and Comics, vol. 8, no. 1, 2017, pp. 3-19.
 
Barounis, Cyntha. “Survival angst: Reading Hothead Paisan in the Trump Era.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1449994.
 
Barry, Erin. “Eight-page Eroticism: Sexual Violence and the Construction of Normative Masculinity in Tijuana Bibles.” Sexual Violence in Comics, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 3, 2017, pp. 227-237.
 
Baudry, Julien. “Paradoxes of Innovation in French Digital Comics.” The Comics Grid: Journal of Comics Scholarship, vol. 8, 20 March 2018, doi: 10.16995/cg.108/.
 
Bauer, Pearl Chaozon and Marc Wolterbeek. “Making Academia Cool: Serious Study of Sequential Art at the University.” Educating through Popular Culture: You’re Not Cool Just Because You Teach with Comics, edited by Edward Janak and Ludovic A. Sourdot, Lexington, 2017, pp. 63-78.
 
Bealer, Tracy. “’The Man Called Luca’: Luke Cage, Mass Incarceration, and the Stigma of Black Criminality.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 2, 2017, pp. 165-185.
 
Bean, Cara. “The Way We Get By.” Inks: The Journal of the Comics Studies Society, vol. 2, no. 1, 2018, pp. 117-128.
 
Beaty, Bart. “Don’t Pray for Paris: Drawing in Post-Charlie Hebdo Graphic Novels.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/beaty/.
 
Beineke, Colin. “On Comicity.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 2, 2017, pp. 226-253.
 
Berndt, Jacqueline. “Reflections: Writing Comics into Art History in Contemporary Japan.” Writing Comics into Art History and Art History into Comics Research, a special issue of Konsthistorisk tidskrift/Journal of Art History, vol. 86, no. 1, 2017, pp. 67-74.
 
Bhadury, Poushali. “’There is no such thing as a straight woman: Queer female representations in South Asian graphic narratives.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1449999.
 
Bjork, Ulf Jonas. “American Infection: The Swedish Debate over Comic Books, 1952-1957.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 177-189.
 
---. “The Swedish Phantom: Sweden’s Domestication of an American Comic Book Hero.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 547-561.
 
Blanc-Huang, Henri-Simon. “Colonialism, Postcolonialism and Science Fiction Comics in the Southern Cone.”  Studies in Comics, vol. 8, no. 1, 2017, pp. 29-50.
 
Blank, Julianne. “’. . . But Is it Literature?’: Graphic Adaptation in Germany in the Context of High and Popular Culture.” European Comic Art, vol. 10, no. 1, 2017, pp. 74-93.
 
Blin-Rolland, Armelle. “Adapting Brittany: The Ker-Is Legend in Bande Dessinée.” European Comic Art, vol. 10, no. 1, 2017, pp. 58-73.
 
Blin-Rolland, Armelle, Guillaume Lecomte, and Marc Ripley. “Introduction: Comics and Adaptation.” European Comic Art, vol. 10, no. 1, 2017, pp. 1-8.
 
Boillat, Alain. “Perspectives on Cinema and Comics: Adapting Feature Films into French-Language Comics Serials during the Post-War Years.” European Comic Art, vol. 10, no. 1, 2017, pp. 9-23.
 
Bonn, Simon Philipp. “Shadows of the Bat.” Journal of Religion, Film, and Media, vol. 3, no. 1, 2017, pp. 75-104, doi: 10.25364/05.3:2017.1.5.
 
Borkent, Mike. “Mediated Characters: Multimodal Viewpoint Construction in Comics.” Cognitive Linguistics, vol. 28, no. 3, 2017, pp. 539–563.
 
Botes, Marietjie. “Using Comics to Communicate Legal Contract Cancellation.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 5 October 2017, doi: 10.16995/cg.100/.
 
Bramlett, Frank. “Clearing a Path for Queer and Trans Comics: A Review of ‘Queers & Comics’ 2017 Conference.” Journal of Comics and Culture, vol. 2, no. 1, 2017, pp. 123-126.
 
---. “Linguistic Discourse in Web Comics: Extending Conversation and Narrative into Alt-Text and Hidden Comics.” The Language of Pop Culture, edited by Valentin Werner, Routledge, 2018, pp. 72-91.
 
Breckenridge, Janis. “Hemispheric Latinx Identities and Transmedial Imaginaries: A Conversation with Frederick Luis Aldama.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 405-412.
 
Breckenridge, Janis and Jenna Stanley. “Textual Recall: The Art of Braiding in ‘La casa del sol naciente’ and El arte de volar.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/breckenridge/.
 
Briest, Sarah. “The Allegorical X-Men: Emblems, Comics, and the Allegorical Potential of Text/Image Hybrid Genres.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/briest/.
 
Brown, Kieron Michael. “Comics, Materiality, and the Limits of Media Combinations.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 3, 2018, http://www.english.ufl.edu/imagetext/archives/v9_3/brown/.
 
---. “Virtuality and Enhancement in Richard McGuire’s Here(s).” Studies in Comics, vol. 8, no. 1, 2017, pp. 69-84.
 
 Bumatay, Michelle. “The 4th Lawrence R. Schehr Memorial Award Winning Essay: Notre histoire and Madame Livingstone: travels in time.” Contemporary French Civilization vol. 42, no. 2, 2017, pp. 141-169.
 
Camden, Vera J. “‘Cartoonish Lumps’: The Surface Appeal of Alison Bechdel’s Are You My Mother?” Journal of Graphic Novels and Comics, vol. 9, no. 1, 2018, pp. 93-111.
 
Camp, Lisa D. “‘Time to ride the monster train’: Multiplicity, the Midnighter, and the Threat to Hegemonic Masculinity.”  Journal of Graphic Novels and Comics, vol. 8, no. 5, 2017, pp. 464-479.
 
Campos, Citaly Aguilar. “Major Lazer: Animation in Electronic Music as a Transmedia Resource.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 415-427.
 
Carl, K. Li. “How Does the Radiation Make You Feel? The Emotional Criticism of Nuclear Power in the Science Fiction Manga Coppelion.” Journal of Graphic Novels and Comics, vol. 8, no. 1, 2017, pp. 33-45.
 
Carlson, A. Cheree. “Burke in the Gutter: Dramatistic Criticism of Comics.” ImageTexT, vol. 9, no. 3, 2018, http://www.english.ufl.edu/imagetext/archives/v9_3/carlson/.
 
Carrington, André. “Desiring Blackness: A Queer Orientation to Marvel’s Black Panther, 1998-2016.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 221-250.
 
Caschera, Martina. “Women in Cartoons – Liang Baibo and the Visual Representation of Women in Modern Sketch.”  International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 224-252.
 
Chaney, Michael A. “Anarchic Strains in the Comics of Ronald Wimberly and Keith Knight.” SubStance, vol. 46, no. 2, 2017, pp. 110-128.
 
Chiu, Monica, and Jeanette Roan. “Asian American Graphic Narratives.” Oxford Encyclopedia of Asian American and Pacific Islander Literature and Culture, edited by Josephine Lee and Floyd Cheung. Oxford University Press, 2018. 
 
Choudhury, Tahseen Salman. “By the Power of Lailies: History and Evolution of Women Characters in Bangladeshi Comics.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 253-268.
 
Chung, Mun-Young. “The Humanity of the Zombie: A Case Study of a Korean Zombie Comic.” The Comic Grid: Journal of Comics Scholarship, vol. 7, 23 March 2017, doi: 10.16995/cg.81/.
 
Clarke, M.J. “Fluidity of Figure and Space in Osamu Tezuka’s Ode to Kirihito.” Journal of Graphic Novels and Comics, vol. 9, no. 1, 2018, pp. 23-48.
 
Cohn, Jesse. “The Politics of the Diagram as Graphic Narrative: Chris Ware and Chad McCail.” SubStance, vol. 46, no. 2, 2017, pp. 33-49.
 
Cone, Annabelle. “Belgian bande dessinée and the American West.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 595-619.
 
Connerty, Michael. “Happy Ike, The Pink Kid and the American Presence in Early British Comics.” International Journal of Comic Art, vol. 19, no. 1, pp. 538-546.
 
Cook, Mike P. and Ryle Frey. “Using Superheroes to Visually and Critically Analyze Comics, Stereotypes, and Society.” SANE journal: Sequential Art Narrative in Education, vol. 2, no. 2, 2017, https://digitalcommons.unl.edu/sane/vol2/iss2/1/.
 
Cremins, Brian. "'A Space of Concentration': The Autobiographical Comics of Richard 'Grass' Green and Samuel R. Delany." African American Autobiography: Twenty-First Century Contexts and Criticism, edited by Eric D. Lamore, U. of Wisconsin Press, 2017, pp. 145-173.
 
---. "'An Imaginary Story': Comic Books and Graphic Novels in the 1980s." American Literature in Transition: 1980-1990, edited by D. Quentin Miller, Cambridge University Press, 2017, pp. 174–186.
 
--. “Walt Kelly’s Bridgeport.” Inks: The Journal of the Comics Studies Society, vol. 2, no. 1, 2018, pp. 1-17.
 
Crucifix, Benoit. “Cut-Up and Redrawn: Reading Charles Burns’s Swipe Files.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 3, 2017, pp. 309-333.
 
---. “From Loose to Boxed Fragments and Back Again: Seriality and Archive in Chris Ware’s Building Stories.” Journal of Graphic Novels and Comics, vol. 9, no. 1, 2018, pp. 3-22.
 
---. “Rethinking the ‘Memorable Panel’ from Pierre Sterckx to Olivier Josso Hamel.” European Comic Art, vol. 10, no. 2, 2017, pp. 24-47.
 
Curtis, Neal. “Doom’s Law: Spaces of Sovereignty in Marvel’s Secret Wars.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 18 July 2017, doi: 10.16995/cg.90/.

---. “Wonder Woman’s Symbolic Death: On Kinship and the Politics of Origins.” Journal of Graphic Novels and Comics, vol. 8, no. 4, 2017, pp. 307-320.
 
Curtis, Neal and Valentina Cardo: "Superheroes and third-wave feminism." Feminist Media Studies, vol 18, no. 3, 2018, pp. 381-396, doi: 10.1080/14680777.2017.1351387.
 
Cyril, Jasmin. “Honoré Daumier: Caricature and the Conception/Reception of ‘Fine Art.’” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 575-585.
 
D’Agostino, Anthony Michael. “’Flesh-to-Flesh Contact’: Marvel Comics’ Rogue and the Queer Feminist Imagination.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 251-282.
 
Dalmaso, R.L. and T. Madella. “The Many Graveyard Books: Artistic Collaborations and Possible Multiple Readings in Illustrated Works. Ilha do Desterro, vol. 71, no. 2, 2018, pp. 57-74, doi:  10.5007/2175-8026.2018v71n2p57.
 
Davies, Dominic. “Comics Activism: An Interview with Comics Artist and Activist Kate Evans.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 17 November 2017, doi: 10.16995/cg.114/.
 
Davis, Blair. “Beyond Watchmen.” Cinema Journal, vol. 56, no. 2, 2017, pp. 114-119.
 
Davis, Blair, et al. “Roundtable: Comics and Methodology.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 1, 2017, pp. 56-74.
 
De Dauw, Esther. “Homonormativity in Marvel’s Young Avengers: Wiccan and Hulkling’s Gender Performance.” Journal of Graphic Novels and Comics, vol. 9, no. 1, 2018, pp. 61-74.
 
de Rooy, Ronald. “Divine Comics.” European Comic Art, vol. 10, no. 1, 2017, pp. 94-109.
 
de Souza, Marcelo Mendes. “Comic-Chronotope in Julio’s Day: Gilbert Hernandez’s Explorations of the Form-Shaping Ideologies of the Medium.” Journal of Graphic Novels and Comics, vol. 8, no. 4, 2017, pp. 359-375.
 
Delisle, Philippe. “Flemish Comics versus Communist Atheism: Renaat Demoen’s Au pays de la grande angoisse (1950-1951).” European Comic Art, vol. 10, no. 2, 2017, pp. 66-83.
 
Dell’Angelo, Tabitha, and Maria DeGenova. “’I am a Teacher’: Early Career Teachers in High Needs Schools.” The Comics Grid: Journal of Comics Scholarship, vol. 8, 20 March 2018, doi: 10.16995/cg.115/.
 
Derry, Ken. “Bulletproof Love: Luke Cage (2016) and Religion.” Journal of Religion, Film, and Media, vol. 3, no. 1, 2017, pp. 123-155, 10.25364/05.3:2017.1.7.
 
Desplanque, Simon. “World War II in French Collective Memory: The Relevance of Alternate History Comics. An Analysis of the Wunderwaffen Saga.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 27-289.
 
Diamond, Aidan Dubhin. “‘I pledge you!’: Disability, Monstrosity and Sacrifice in Wytches.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 171-186.
 
Diamond, Aidan and Lauranne Poharec. “Introduction: Freaked and Othered Bodies in Comics.” Journal of Graphic Novels and Comics, vol. 8, no. 5, 2017, pp. 402-416. 
 
diLIberti, Julia. “Gilded Age Cartoonists: Artistic Antecedents and Descendants.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 2, 2017, pp. 125-142.
 
Dokou, Christina. “Un(th)inkable Tales: Unimaginable Folklore Horror in Emily Carroll’s Through the Woods.” Graphic Gothic, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 6, 2017, pp. 572-587.
 
Dong, Lan. “Autobiography, Documentary, and History in Comics: The Four Immigrants Manga and Citizen 13660.” Journal of Comics and Culture, vol. 2, no. 1, 2017, pp. 3-28.
 
dos Santos, Mariana Pino. “Painting Comics as a ‘Permanent Commentary on the State of the Arts.” Writing Comics into Art History and Art History into Comics Research, a special issue of Konsthistorisk tidskrift/Journal of Art History, vol. 86, no. 1, 2017, pp. 45-66.
 
Dousay, Tonia A. “Karma in Comics: Discovering Hidden Super Powers through Creating.” Educating through Popular Culture: You’re Not Cool Just Because You Teach with Comics, edited by Edward Janak and Ludovic A. Sourdot, Lexington, 2017, pp. 41-60.
 
Dozier, Ayanna. “Wayward Travels: Racial Uplift, Black Women, and the Pursuit of Love and Travel in Torchy in Heartbeats by Jackie Ormes.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 12-29, doi: 10.1525/fmh.2018.4.3.12.
 
Dubbati, Barkuzar. “The Woman in Hijab as a Freak: Super(Muslim)woman in Deena Mohamed’s Webcomic Qahera.” Journal of Graphic Novels and Comics, vol. 8, no. 5, 2017, pp. 443-449.
 
Duffy, Damian. “Teaching Hypercomics: Comics as Information Organization in Digital Pedagogy.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 2, 2017, pp. 205-225.
 
Earle, Harriet. “Framing Violence and Serial Murder in My Friend Dahmer and Green River Killer.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 23 March 2017, doi: 10.16995/cg.99.
 
Eedy, Sean. "Four colour anti-fascism: Postwar narratives and the obfuscation of the Holocaust in East German comics." Beyond Maus: Comic Books, Graphic Novels, and the Holocaust, a special issue of Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 24–35.
 
El-Khory, Toufic Ishaya. “The Problem of Evil in DC Universe Animated Movies, 2007-2016.” Journal of Religion, Film, and Media, vol. 3, no. 1, 2017, pp. 59-74, doi: 10.25364/05.3:2017.1.4.
 
Erdenebal, Dan. “Comics in an Unexpected Place: Mongolia.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 148-162.
 
Erkan, Tolga. “A Turkish Comic Strip: ‘Abdülcanbaz.’” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 381-402.
 
Etter, Lukas: "Visible Hand? Subjectivity and Its Stylistic Markers in Graphic Narratives." Subjectivity across Media: Interdisciplinary and Transmedial Perspectives, edited by Maike Sarah Reinerth and Jan-Noël Thon, Routledge, 2017, pp. 92-110.
 
Fabian, Rachel. “Reconsidering the Work of Claire Johnston.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 244-273, doi: 10.1525/fmh.2018.4.3.244.
 
Fägersten, Kristy Beers. "English-language swearing as humor in Swedish comic strips." Journal of Pragmatics, vol. 121, 2017, pp. 175-187, doi: 10.1016/j.pragma.2017.10.014.
 
 Fernandes, Cristiana de Almeida, et al. “Early Censorship of Comics in Brazil and Spain and Their Use as an Educational Resource as an Escape.”  International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 13-158.
 
Fitch, Alex. “Bumping the Lamp: An Interview with Graphic Novelist Hannah Berry.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 227-244.
 
---. “Gotham City and the Gothic Literary and Architectural Traditions.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 205-226.
 
Flinn, Margaret C. “The ‘Ravaged Body’ as Carrier of Cultural Memory in Farid Boudjellal’s Petit Polo Series.” Journal of Graphic Novels and Comics, vol. 8, no. 4, 2017, pp. 341-358.
 
Fontaine, Jessica. “Illusion, Kayfabe, and Identity Performance in Box Brown and Brandon Easton’s Andre the Giant Graphic Biographies.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 17 November 2017, doi: 10.16995/cg.96/.
 
Frank, Kathryn M. “’Who makes the world?’ Before Watchmen, Nostalgia, and Franchising.” Cinema Journal, vol. 56, no. 2, 2017, pp. 138-144.
 
Fraser, Benjamin. “Paco Roca’s Graphic Novel La Casa (2015) as Architectural Elegy.” European Comic Art, vol. 11, no. 1, 2018, pp. 87-106.
 
Fresnault-Deruelle, Pierre. “A Visit from Philippulus.” European Comic Art, vol. 10, no. 2, 2017, pp. 48-65.
 
Galvan, Margaret. “Archiving Wimmen: Collectives, Networks, and Comix.” Australian Feminist Studies, vol. 32, no. 91–92, 2017, pp. 22–40, doi: 10.1080/08164649.2017.1357007.
 
---. “’The Lesbian Norman Rockwell’: Alison Bechdel and Queer Grassroots Networks.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 407-438.
 
---. “Making Space: Jennifer Camper, LGBTQ Anthologies, and Queer Comics Communities.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, pp. 1–17, doi: 10.1080/10894160.2018.1449499.
 
 Gangnes, Madeline B. “Hysterical Reality: Weimar Germany and the Victorian Gothic in Mattotti and Kramsky’s Dr. Jekyll & Mr. Hyde.” Graphic Gothic, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 6, 2017, pp. 510-520.
 
Gardner, Jared. “Before the Underground: Jay Lynch, Art Spiegelman, Skip Williamson, and the Fanzine Culture of the Early 1960s.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 1, 2017, pp. 75-99.
 
Gartley, Elizabeth. “Speaking Language? The Politics of Language and Power in Saga.” Studies in Comics, vol. 8, no. 1, 2017, pp. 51-68.
 
Gavaler, Chris. “Refining the Comics Form.” European Comic Art, vol. 10, no. 2, 2017, pp. 1-23.
 
---. “Dr. Doom’s Philosophy of Time.” Journal of Graphic Novels and Comics, vol. 8, no. 4, 2017, pp. 321-340.
 
---. “Undemocratic Layout: Eight Methods of Accenting Images.” The Comics Grid, vol. 8, 25 May 2018, doi: 10.16995/cg.102/.
 
Gavaler, Chris and Nathaniel Goldberg. “Alan Moore, Donald Davidson, and the Mind of Swampmen.” Journal of Popular Culture, vol. 50, no. 2, 2017, pp. 239-258.
 
Gazi, Jeeshan. “De/facing Race: Towards a Model for a Universal World Comics.” Journal of Graphic Novels and Comics, vol. 8, no. 2, 2017, pp. 119-138.
 
Gibbons, Sarah. “‘I don’t exactly have quiet, pretty powers: Flexibility and Alterity in Ms. Marvel.” Journal of Graphic Novels and Comics, vol. 8, no. 5, 2017, pp. 450-463.
 
Giddens, Thomas. “’I’m Aware that a Lot of these People that I’m Feeling Sorry for are Wankers’: A Conversation with Hannah Berry.” The Comics Grid, vol. 8, 2 July 2018, doi: 10.16995/cg.132/.
 
---. “Anderson v Dredd [2137] Mega-City LR 1.” International Journal for the Semiotics of Law, vol. 30, no. 3, 2017, pp. 389-405.
 
---. “Crimes, Justice, and Anglo-American Comics.” Oxford Research Encyclopedia of Criminology and Criminal Justice, 2017, doi: 10.1093/acrefore/9780190264079.013.50.
 
---. “Graphic Justice and Criminological Aesthetics: Visual Criminology on the Streets of Gotham.” Routledge International Handbook of Visual Criminology, edited by Michelle Brown and Eamonn Carrabine, Routledge, 2017, pp. 320-334.
 
Gillingham, Erica. “Representations of same-sex relationships between female characters in all-ages comics: Princess Princess Ever After and Lumberjanes.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1450600.
 
Gorrara, Claire. "Not seeing Auschwitz: Memory, generation and representations of the Holocaust in twenty-first century French comics." Beyond Maus: Comic Books, Graphic Novels, and the Holocaust, a special issue of Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 111-126.
 
Grace, Dominick. “Aardvarkian Gothic.” Graphic Gothic, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 6, 2017, pp. 560-571.
 
Gray, Brenna Clarke and David N. Wright. “Decentering the Sexual Aggressor: Sexual Violence, Trigger Warnings, and Bitch Planet.” Sexual Violence in Comics, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 3, 2017, pp. 264-276.
 
Green, Matthew J.A. “‘An altered view regarding the relationship between dreams and reality’: Magic, Politics, and the Comics Medium in Alan Moore and Jacen Burrow’s Providence.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 135-156.
 
Grenna, Simon and Ian Hague. “Medium, knowledge, structure: capacities for choice and the contradiction of medium-specificity in games and comics.” Image & Narrative, vol. 19, no. 1, 2018, pp. 74-86, http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1765.
 
Groensteen, Thierry. “Biographies of Famous Painters in Comics: What Becomes of the Paintings?” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/groensteen/.
 
Grove, Laurence and Ann Miller.  “Historical Perspectives – Theory and Practices.” European Comic Art, vol. 10, no. 2, 2017, pp. v-ix.
 
Grunzke, Andrew. "Using Multimodal Literacy to Teach Gender History through Comic Books, or, How ‘The Wonder Women of History’ Became ‘Marriage à La Mode.’ Educating through Popular Culture: You’re Not Cool Just Because You Teach with Comics, edited by Edward Janak and Ludovic A. Sourdot, Lexington, 2017, pp. 243-263.
 
Guyer, Jonathan. “Between Fine and Comic Art. On the Arab Page: Much Connects Art and Comics in Egypt and the Wider Middle East.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 334-344.

​Halsall, Alison. “Nobody’s Home: Neil Gaiman’s The Graveyard Books and Its Visual Adaptations.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 3, 2017, pp. 334-353.
 
Harris, Sarah. “’I had not dared to remember’: Trauma and Historical Memory in Recent Spanish Comics.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/harris/.
 
Hartzheim, Bryan Hikari. “Toriko’s Database World.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 499-524.
 
Hassler-Forest, Dan A. "Roads Not Taken in Hollywood’s Comic Book Movie Industry: Popeye, Dick Tracy, and Hulk." The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, Oxford UP, 2017, pp. 407-423.
 
Hausmanninger, Thomas: "Deconstructing Gilgul, Finding Identity. Captain America and the Winter Soldier in a Judaistic Perspective." Journal for Religion, Film and Media, vol. 3, no .1, 2017, pp. 105-121, doi: 10.25364/05.3:2017.1.6.
 
Heimerl, Theresa: "Rampant Lechers, Chaste Heroes." Journal for Religion, Film and Media, vol. 3, no. 1, 2017, pp. 45-57, doi: 0.25364/05.3:2017.1.3.
 
Helbig, Tina. “Beware the Living Dead: The Corpo-Reality of Comics.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 187-204.
 
Hong, Tiffany. “‘Of course we record it’: Legacy, Textual Violence, and Fridging in Ales Kot’s Zero.” Sexual Violence in Comics, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 3, 2017, pp. 277-294.
 
Horstkotte, Silke and Nancy Pedri. "The Body at Work: Subjectivity in Graphic Memoir." Subjectivity across Media: Interdisciplinary and Transmedial Perspectives, edited by Maike Sarah Reinerth and Jan-Noël Thon, Routledge, 2017, pp. 77-91.
 
Horton, Ian. “Graphic Gothic.” Graphic Gothic, a special issue of  Journal of Graphic Novels and Comics, vol. 8, no. 6, 2017, pp. 507-509.
 
Howard, Sheena C. “Situating Cyberzone: Black lesbian identity in comics.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1449992.
 
Howard, Yetta. “Unsuitable for Children? Adult-erated Age in Underground Graphic Narratives.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 283-314.
 
Hughes, Richard, Meghan Hawkins, and Katie Lopez. “History, Literacy, and Popular Culture: Using Graphic Novels to Teach the Struggle for Racial Justice.” Educating through Popular Culture: You’re Not Cool Just Because You Teach with Comics, edited by Edward Janak and Ludovic A. Sourdot, Lexington, 2017, pp. 21-40.
 
Huizenga, Kevin. “Comix Skool USA: Selections.” Inks: The Journal of the Comics Studies Society, vol. 2, no. 1, 2018, pp. 68-100.
 
Humphrey, Aaron. “The Cult of Krazy Kat: Memory and Recollection in the Age of Mechanical Reproduction.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 5 June 2017, doi: 10.16995/cg.97/.
 
Hurlburt, Jesse D. “Comics Theory for the Ages: Text and Image Relations in Medieval Manuscripts.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 353-383.
 
Hutton, Robert. “’How Can “Is” Be Wrong’: Queer Reading Strategies and Identification in Fun Home.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 3, 2018, http://www.english.ufl.edu/imagetext/archives/v9_3/hutton/.
 
Hwang, Joon Ho. “Cosmopolitan Practice, Asian Otherness, and a Localized Cosmopolitanism in Guy Delisle’s Asian Travelogues.” Journal of Popular Culture, vol. 50, no. 5, 2017, pp. 1087-1106.
 
Jeong, Jaehyeon. “Genre Hybridity as the Scheme of the Comics Industry.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 290-308.
 
Jiménez, Laura M. “PoC, LGBTQ, and gender: The intersectionality of America Chavez.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1449501.
 
Johnson, Robyn. “In the Past the Devil Has Won: Analysis of Seishi Kishimoto’s Satan and Savior in O-Parts Hunter.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 124-147.
 
Jones, Jr., William B. "Classics Illustrated and the Evolving Art of Comic-Book Literary Adaptation." The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, Oxford UP, 2017, pp. 214-236.
 
Jones, Matt. “Vomiting on New Friends: Charlie Hebdo and the Legacy of Anarchic Black Humor in French Comics.” SubStance, vol. 46, no. 2, 2017, pp. 71-94.
 
Juricevic, Igor. “Aladdin Sane and Close-up Eye Asymmetry: David Bowie’s Contribution to Comic Book Visual Language.” The Comics Grid: Journal of Comics Scholarship, vol. 17, 15 March 2017, doi: 10.16995/cg.94.
 
Kallestrup, Shona. “’Royalty is no longer quite royal’: word and image in the children’s tales of Queen Marie of Romania.” Image & Narrative, vol. 19, no. 1, 2018, pp. 23-45, http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1756.
 
Kelp-Stebbins, Katherine. “Global Comics: Two Women's Texts and a Critique of Cultural Imperialism.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 135-156, doi: 10.1525/fmh.2018.4.3.135.
 
Kerns, Susan Santha. “Discordance, Duplicity, and Desire: Conjoined Twins in Dame Darcy’s Meat Cake.” Journal of Graphic Novels and Comics, vol. 8, no. 5, 2017, pp. 494-506.
 
Kirkpatrick, Ellen. “‘You Need to Learn to See Yourself through the Fathers’ Eyes’: Feminism, Representation, and the Dystopian Space of Bitch Planet.” Feminist Review, vol. 116, no. 1, July 2017, pp. 134–142., doi: 10.1057/s41305-017-0051-1.
 
Kirtley, Susan. “The Political is Personal: Dual Domesticity in Dykes to Watch Out For.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 1, 2017, pp. 40-55.
 
Klaehn, Jeffery. “An Interview with Canadian Comic Book Writer Jim Zub.” Journal of Graphic Novels and Comics, vol. 8, no. 2, 2017, pp. 203-209.
 
---. “An Interview with Comic Book Writer Fred Van Lente.” Journal of Graphic Novels and Comics, vol. 8, no. 1, 2017, pp. 89-98.
 
Kocack, Kenan. “Far from the Maddening Crowd: Guy Delisle as Cultural Reporter.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 428-478.
 
Køhlert, Frederik Byrn and Ole Birk Laursen. “Introduction: Comics and the Anarchist Imagination.” SubStance, vol. 46, no. 2, 2017, pp. 3-10.
 
Køhlert, Frederik Byrn. “Comics, Form, and Anarchy.” SubStance, vol. 46, no. 2, 2017, pp. 11-32.
 
Kopin, Joshua Abraham. “Identity and Representation in US Comics.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 439-448.
 
Kowalewski, Hubert. “Heart is for Love: Cognitive Salience and Visual Metonymies in Comics.” The Comics Grid, vol. 8, 26 June 2018, doi: 10.16995/cg.117/.
 
Krauthaker, Marion and Roy Connolly. “Gazing at Medusa: Adaptation as Phallocentric Appropriation in Blue is the Warmest Color.” European Comic Art, vol. 10, no. 1, 2017, pp. 24-40.
 
Kruse, Zack. “Overwhelmed by a Cloak of Darkness: Steve Ditko’s Dark Karma and Cosmic Inner Space.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 3, 2017, pp. 267-287.
 
Krusemark, Renee. “Comic Books in the American College Classroom: A Study of Student Critical Thinking.” Journal of Graphic Novels and Comics, vol. 8, no. 1, 2017, pp. 59-78.
 
Kunka, Andrew J. “A Contract with God, The First Kingdom, and the ‘Graphic Novel’: The Will Eisner/Jack Katz Letters.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 1, 2017, pp. 27-39.
 
L’Hoeste, Hector Fernandez. “On the Pastoral Imaginary of a Latin American Social Democracy: Costa Rica’s El Sabanero.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 309-333.
 
Lamarre, Thomas. “Cyborg Empiricism: The Ghost Is Not in the Shell.” Introducing Japanese Popular Culture, edited by Alisa Freedman and Toby Slade, Routledge, 2017, pp. 300-310.
 
Laursen, Ole Birk. “Postcolonial Anarchographics: Re-drawing History in the Trantraal Brothers’ Crossroads.” SubStance, vol. 46, no. 2, 2017, pp. 129-146.
 
Lawrence, Julian, Chin-Chiu Lin, and Rita Irwin. “Images, Speech Balloons, and Artful Representation: Comics as Visual Narratives of Early Career Teachers.” SANE journal: Sequential Art Narrative in Education, vol. 2, no. 2, 2017, https://digitalcommons.unl.edu/sane/vol2/iss2/3/.
 
Lawson, Daniel. “’Equally Terrorized’: Rhetorical Irony, Rorty, and In the Shadow of No Towers.” Journal of Comics and Culture, vol. 2, no. 1, 2017, pp. 47-64.
 
Lázaro-Reboll, Antonio. “Historicising the Emergence of Comics Art Scholarship in Spain, 1965-1975.” European Comic Art, vol. 11, no. 1, 2018, pp. 8-29.
 
Lecomte, Guillaume. “Adapting the Rhetoric of Authentication in Riad Sattouf’s La Vie secrète des jeunes.” European Comic Art, vol. 10, no. 1, 2017, pp. 41-57.
 
Lee, Jin. “Black Bleeds and the Sites of a Trauma in GB Tran’s Vietnamerica.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 13 September 2017, doi: 10.16995/cg.104/.
 
Lefèvre, Pascal. “An Empirical Study of the Publication Format and Beginnings in the Belgian francophone Weeklies, Spirou and Tintin, in the 1950s." Closure. Kieler e-Journal für Comicforschung, vol. 4, 2017, pp. 47-67, http://www.closure.uni-kiel.de/closure4/lefevre.
 
---. “Mixed Visual Media from the Standpoint of the Reader/Spectator.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/lefevre/.
 
Leighten, Patricia. “Anarchist Satire in Pre-World War I Paris: The Case of František Kupka.” SubStance, vol. 46, no. 2, 2017, pp. 50-70.
 
Lent, John A. “’Acquire the Widest Possible Comics Culture’: An Interview with Thierry Groensteen.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 205-218.
 
---. “Global Infringements on the ‘Right to Cartoon’: A Research Guide.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 4-70.
 
---. “Scalpels and Pens: Tools of Brazilian Surgeon/Cartoonist Ronaldo Cunha Dias.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp.  213-223.
 
---. “Two Life Times and 15 Years: A Cuban Prisoner’s Coping through Cartoons.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 159-176.
 
Lent, John A. and Xu Ying. “Pang Bangben: ‘This Old Man Can Do All Kinds of Art.’” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 403-414.
 
---. “Wang Zimei and Sun Zhijun: Cartoonists Hidden in Chinese History.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 286-310.
 
Levitz, Paul. “From the Margins, Looking in and Out: A Conversation with Phil Jiminez.” Journal of Comics and Culture, vol. 2, no. 1, 2017, pp. 65-98.
 
Lim, Cheng Tju. “’Art is in My Blood’: A Short Interview with Nora Abdulla, Pioneer Female Malay Comic Artist.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 345-352.
 
Lockhart, Aidan. “Capes, Cowls, and the Fragments of Ideology: Toward a Framework for Revealing Retributive Ideology in Film.” Journal of Popular Culture, vol. 51, no. 1, 2018, pp. 215-235.
 
Lund, Martin. “Comics Activism: A (Partial) Introduction.” Scandinavian Journal of Comic Art, vol. 3, no. 2, 2018, pp. 39-54.
 
MacInnes, Iain A. “’For He Bestirred Himself to Protect the Land from the Moors’: Depicting the Medieval Reconquista in Modern Spanish Graphic Novels.” European Comic Art, vol. 11, no. 1, 2018, pp. 48-65.
 
Macklem, Lisa. “The Truth is Stranger than Fiction: Rick Geary’s Gothic Murder Tales.” Graphic Gothic, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 6, 2017, pp. 521-532.
 
Mahmutovic, Adnan and Denise Nunes. “Maxime Miranda in Minimis: Swarm Consciousness in Miayazaki’s Nasuicaä of the Valley of the Wind.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/mahmutovic/.
 
Malone, Paul. “Werbecomics at the Beginning of German Comics: Emmerich Huber and Josef Mauder.” Closure. Kieler e-Journal für Comicforschung, vol. 4, 2017, pp. 7-27, http://www.closure.uni-kiel.de/closure4/malone.
 
Manchester, Ashley. “Teaching Critical Looking: Pedagogical Approaches to Using Comics as Queer Theory.” SANE journal: Sequential Art Narrative in Education, vol. 2, no. 2, 2017,  https://digitalcommons.unl.edu/sane/vol2/iss2/2/.
 
Manea, Dragos. “Western Nightmares: Manifest Destiny and the Representation of Genocide in Weird Fiction.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 157-170.
 
Martin, Côme. “With, Against, or Beyond Print? Digital Comics in Search of a Specific Status.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 27 September 2017, doi: 10.16995/cg.106/.
 
Martin-Gómez, César, Rosa F. Urtasun, Miriam M. Ozcáriz, et al. “Tracing Changes in Urban Architectural Infrastructure through Herge’s Comics.” Journal of Popular Culture, vol. 50, no. 5, 2017, pp. 1065-1086.
 
Masdiono, Toni and Iwan Zahar. “Sequence Side of Cergam: A Case Study of ‘Kraman’ by Teguh Santosa.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 466-474.
 
McClancy, Kathleen. “Desperate Housewives: Murdering Gendered Nostalgia in Lady Killer.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 179-204, doi: 10.1525/fmh.2018.4.3.179.
 
---. “Editor’s Introduction: Comics and History.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 1-11, doi: 10.1525/fmh.2018.4.3.1.
 
---. “Winter Soldiers and Sunshine Patriots: World War II and the Cold War in Captain America.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 3, 2018, http://www.english.ufl.edu/imagetext/archives/v9_3/mcclancy/.
 
McCullough, Kate. “’The Complexity of Loss Itself’: The Comics Form and Fun Home’s Queer Reparative Temporality.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 377-406.
 
McGlade, Rhiannon. “Dissenting Voices? Controlling Children’s Comics under Franco.” European Comic Art, vol. 11, no. 1, 2018, pp. 30-47.
 
McGrail, Ewa, et al. “Pre-Service Teachers’ Perspectives on How the Use of TOON Comic Books during Guided Reading Influenced Learning by Struggling Readers.” SANE journal: Sequential Art Narrative in Education, vol. 2, no. 3, 2018, https://digitalcommons.unl.edu/sane/vol2/iss3/1/.
 
McGurk, Caitlin. “Comics Professionals on Comics Studies.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 1, 2017, pp. 100-110.
 
---. “Lovers, enemies, and friends: The complex and coded early history of lesbian comic strip characters.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1449502.
 
---. “The Edwina Dumm Collection.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 3, 2017, pp. 377-397.
 
McKinney, Mark. “After You, My Dear Fake Frenchmen: Frederic Burr Opper’s Alphonse and Gaston – and Leon!” Inks: The Journal of the Comics Studies Society, vol. 1, no. 2, 2017, pp. 143-164.
 
Michael, Olga. “Scrapbooking Caravaggio’s Medusa, Reconfiguring Blake: What It Is, One! Hundred! Demons!, and Lynda Barry’s Feminist Intervention in the (Male) Artistic Canon.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/michael/.
 
Mielke, Tammy L. and Emily L. Brandon. “Reclaimed Identity in Tak Toyoshima’s Secret Asian Man and Gene Luen Yang’s American Born Chinese.” Educating through Popular Culture: You’re Not Cool Just Because You Teach with Comics, edited by Edward Janak and Ludovic A. Sourdot, Lexington, 2017, pp. 3-20.
 
Mihăilescu, Dana. "Mapping transgenerational memory of the Shoah in third generation graphic narratives: On Amy Kurzweil’s Flying Couch (2016)." Beyond Maus: Comic Books, Graphic Novels, and the Holocaust, a special issue of Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 93-110.
 
Miller, Nicholas E. “’Now That It's Just Us Girls’: Transmedial Feminisms from Archie to Riverdale.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 205-226, doi: 10.1525/fmh.2018.4.3.205.
 
---. “Asexuality and Its Discontents: Making the ‘Invisible Orientation’ Visible in Comics.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 3, 2017, pp. 354-376.
 
Mirana-Barreiro, David. “From Pioneer of Comics to Cultural Myth: Castelao in Galician Graphic Biography.” European Comic Art, vol. 11, no. 1, 2018, pp. 66-86.
 
Moffett, Paul. “U for Utopia: The Dystopian and Eutopian Visions in Alan Moore and Dave Gibbons’ V for Vendetta.” Journal of Graphic Novels and Comics, vol. 8, no. 1, 2017, pp. 46-58.
 
Morton, Drew. “’Watched any good books lately?’: The Formal Failure of the Watchmen Motion Comic.” Cinema Journal, vol. 56, no. 2, 2017, pp. 132-137.
 
Muñoz-Basols, Javier and Marina Massaguer Comes. “Social Criticism through Humour in the Digital Age: Multimodal Extension in the Works of Alex Saló.” European Comic Art, vol. 11, no. 1, 2018, pp. 107-128.
 
Murgia, Camilla. “Speech Balloons, Bubbles and Captions: The Rise of Narrative in 18th-Century British Comics.” Closure. Kieler e-Journal für Comicforschung, vol. 4, 2017, pp. 28-46, http://www.closure.uni-kiel.de/closure4/murgia.
 
Nappi, Paolino. "Between memory, didacticism and the Jewish revival: The Holocaust in Italian comic books." Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 51-63.
 
Nash, Patrick. “Re-imagining the Ku Klux Klan in Chinese Media through the 1950s.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 78-96.
 
 Nelson, Brandon. “‘Sick humor which serves no purpose’: Whiteman, Angelfood and the Aesthetics of Obscenity in the Comix of R. Crumb.” Journal of Graphic Novels and Comics, vol. 8, no. 2, 2017, pp. 139-155.
 
Nelson, Crystal Am. “And They Started Sayin’ ‘Black Power!’” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 30-48, doi: 10.1525/fmh.2018.4.3.30.
 
Nieto, Laura Nallely Hernández and Iván Facundo Rubinstein. “History and Popular Memory. Alternative Chronicle of Mexico City in the Comics of Gabriel Vargas.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 357-371.
 
Nilsson, Magnus. “Socialist Thought and Comics Form – Narrative and Rhetorical Strategies in Kate Evans’ Red Rosa.” Scandinavian Journal of Comic Art, vol. 3, no. 2, 2018, pp. 3-22.
 
Nurse, Angela. “See No Evil, Print No Evil: The Criminialization of Free Speech in DMZ.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 3 August 2017, doi: 10.16995/cg.88/.

​Oh, Stella. “Laughter against Laughter: Interrupting Racial and Gendered Stereotypes in Gene Luen Yang’s American Born Chinese.” Journal of Graphic Novels and Comics, vol. 8, no. 1, 2017, pp. 20-32.
 
Oostdijk, Diederik. "’Draw yourself out of it’: Miriam Katin’s graphic metamorphosis of trauma." Beyond Maus: Comic Books, Graphic Novels, and the Holocaust, a special issue of Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 79-92.
 
Owj, Sara. “Portrayal of Massacre: A Comparative Study between Works of Joe Sacco, Art Spiegelman, and Fumiyo Kono.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 479-498.
 
Packard, Stephan: "The Drawn-Out Gaze of the Cartoon: A Psychosemiotic Look at Subjectivity in Comic Book Storytelling." Subjectivity across Media: Interdisciplinary and Transmedial Perspectives, edited by Maike Sarah Reinerth and Jan-Noël Thon, Routledge, 2017, pp. 111-124.
 
Patten, Fred. “Pioneers in Comic Art Scholarship: The Multi-Varied, 50-Year Career of a Fan-Researcher of Comic Art.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 219-242.
 
Pearl, Barry. “Start Spreading the News: Marvel and New York City.” International Journal of Comic Art, vol. 19, no. 1, pp. 562-574.
 
Pedri, Nancy. “Mixing Visual Media in Comics.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/introduction/introduction.shtml.
 
---. “Photography and the Layering of Perspective in Graphic Memoir.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/pedri/.
 
---. “Traumatic Layerings of Self: Scrapbooking Personal Photographs in One! Hundred! Demons!” Polysème: Revue d’ètudes intertextuelles et intermédiales, vol. 19, 2018, doi: 10.4000/polysemes.3460.
 
Pedri, Nancy and Helene Staveley. “Not Playing Around: Games in Graphic Illness Narratives.” Literature and Medicine, vol. 36, no.1, 2018, pp. 230-256.
 
Peppard, Anna F. “’I just want to feel something different’: Re-writing Abuse and Drawing Strength in Brian Michael Bendis and Michael Gaydos's Alias.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp.157-178, doi: 10.1525/fmh.2018.4.3.157.
 
Piatti-Farnell, Lorna. “‘For God’s sake, cover yourself’: Sexual Violence, Disrupted Histories, and the Gendered Politics of Patriotism in Watchmen.” Sexual Violence in Comics, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 3, 2017, pp. 238-251.
 
Pizzino, Christopher. “Comics and Trauma: A Postmortem and a New Inquiry.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/pizzino/.
 
Polan, Dana. “Watchmen from the Point of View of Cinema and Media Study.” Cinema Journal, vol. 56, no. 2, 2017, pp. 144-149.
 
Poutanen, Mikko. “Comedic Heresy in the Humor of The Boondocks.” Scandinavian Journal of Comic Art, vol. 3, no. 2, 2018, pp. 23-38.
 
Precup, Mihaela. “To ‘all the monster girls’: Violence and Non-Normativity in Noelle Stevenson’s Nimona.” Graphic Gothic, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 6, 2017, pp. 550-559.
 
Precup, Mihaela and Rebecca Sherr. “Sexual violence in comics.” Sexual Violence in Comics, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 3, 2017, pp. 225-226.
 
Prince, David L. “The Petty-Dunn Center for Social Cartooning at Syracuse University.” Inks: The Journal of the Comics Studies Society, vol. 2, no. 1, 2018, pp. 101-116.
 
Prince, Michael J. “The Magic of Patriarchal Oppression in Alan Moore and Eddie Campbell’s From Hell.” Sexual Violence in Comics, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 3, 2017, pp. 252-263.
 
Prough, Jennifer. “Sampling Girls’ Culture: An Analysis of Shōjo Manga Magazines." Introducing Japanese Popular Culture, edited by Alisa Freedman and Toby Slade, Routledge, 2017, pp. 277-286.
 
Quesenberry, Krista. “Intersectional and Non-Human Self-Representation in Women’s Autobiographical Comics.” Journal of Graphic Novels and Comics, vol. 8, no. 5, 2017, pp. 417-432.
 
Rageul, Anthony. “On the Pleasure of Coding Interface Narratives.” The Comics Grid: Journal of Comics Scholarship, vol. 8, 14 February 2018, doi: 10.16995/cg.107/.
 
Ribbens, Kees. "Picturing anti-Semitism in the Nazi-occupied Netherlands: Anti-Jewish stereotyping in a racist Second World War comic strip." Beyond Maus: Comic Books, Graphic Novels, and the Holocaust, a special issue of Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 8-23.
 
Ricker, Aaron. “Sex Magic, Kabbalah, and Feminist Imagination in Alan Moore’s Promethea.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/ricker/.
 
Ripley, Marc. “’Are We Coming to Make a Documentary or a Surrealist Film?’: Demythifying Luis Buñuel’s Tierra sin pan in Fermin Solis’s Buñuel en el labertino de las tortugas.” European Comic Art, vol. 10, no. 1, 2017, pp. 110-125.
 
Robbins, Trina. “Of Politics and Presidents in William Moulton Marston’s Wonder Woman.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 46-50.
 
Robbins, Trina and Jennifer K. Stuller. “Focus on Trina Robbins.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 119-134, doi: 10.1525/fmh.2018.4.3.119.
 
Robertson, Paul Lester. “Indians of the Apocalypse: Native Appropriation and Representation in 180s Dystopic Films and Comic Books.” Journal of Popular Culture, vol. 51, no. 1, 2018, pp. 68-90.
 
Robinette, Nicholas. “Ally Sloper, Escape Magazine, and the Situation of English Comics.” European Comic Art, vol. 10, no. 2, 2017, pp. 84-102.
 
Romagnoli, Alex. “Sharing Identity: Indexing Cultural Perspectives through Writing Responses to Graphic Novels.” SANE journal: Sequential Art Narrative in Education, vol. 2, no. 3, 2018, https://digitalcommons.unl.edu/sane/vol2/iss3/2/.
 
Roman, Zak and Ryan Lizardi. “’If She Be Worthy’: The Illusion of Change in American Superhero Comics.” Inks: The Journal of the Comics Studies Society, vol. 2, no. 1, 2018, pp. 18-37.
 
Round, Julia. “Behind the Veil: An Interview with Toni Fejzula.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 245-258.
 
---. “Graphic Gothic editorial.” Graphic Gothic, a special issue of Studies in Comics, vol. 8, no. 2, 2017, pp. 129-134.
 
Sadri, Houman. “’Submission is Faith in the Strength of Others’: Synthesizing Mail and Female Aspects of War in Azzarello and Chiang’s Wonder Woman.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 3, 2018, http://www.english.ufl.edu/imagetext/archives/v9_3/sadri/.
 
Sammond, Nicholas. “Meeting in the Archive: Comix and Collecting as Community.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 96-118, doi: 10.1525/fmh.2018.4.3.96
 
 Sanders, Rik. “Seduced Innocence: The Dutch Debate about Comics in the 1940s and 1950s.” Translated by Rik Sanders. International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 190-204.
 
Sarasola, Ignacio Fernandez. “Control over Comic Books in Spain during the Franco Dictatorship (1939-1975).” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 95-129.
 
Schell, Logan. “The Good Old Days: Kurt Busiek’s Usage of Historicization in ‘Old Times.’” Journal of Graphic Novels and Comics, vol. 9, no. 1, 2018, pp. 49-60.
 
Scott, Darieck and Ramzi Fawaz. “Introduction: Queer about Comics.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 197-219.
 
Segrave, Jeffrey O. and John A. Cosgrove. “A Tribute to Trizophenia: Sport in Jef Mallett’s Comics Strip ‘Frazz.’” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 269-285.
 
Shamoon, Deborah. “The Beautiful Men of the Inner Chamber: Gender-Bending, Boys’ Love and Other Shōjo Manga Tropes in Ōoku.” Introducing Japanese Popular Culture, edited by Alisa Freedman and Toby Slade, Routledge, 2017, pp. 287-299.
 
Shamsavari, Sina. “The History of Gay Male Comics in the United States from Before Stonewall to the 21st Century.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 163-201.
 
Shank, Patrick. “First Lesson of the Sea, Always Bring a Spare Pencil: Analyzing Navy Culture through Cold War Cartoons.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 428-465.
 
Shiau, Hong-Chi and Hsiang-wen Hsiao. “In Search of the Missing Puzzle Pieces: A Study of Jimmy Liao’s Public Art Installations in Taiwan.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 413-427.
 
Singsen, Doug. “Critical Perspectives on Mainstream, Groundlevel, and Alternative Comics in The Comics Journal, 1977 to 1996.” Journal of Graphic Novels and Comics, vol. 8, no. 2, 2017, pp. 156-172.
 
Slipp, Nicole. “Ménage à 3: Webcomics, Creative Freedom, and Sexual Diversity.” Journal of Comics and Culture, vol. 2, no. 1, 2017, pp. 29-46.
 
Smczynska, Katarzyna. “Innocence lost: picturebook narratives of depravity.” Image & Narrative, vol. 19, no. 1, 2018, pp. 62-73, http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1762.
 
Smith, Philip. “Rhyming Events: Contested Narratives and ‘Cli-Fi’ in Richard McGuire’s Here.” Inks: The Journal of the Comics Studies Society, vol. 2, no. 1, 2018, pp. 38-48.
 
---. “Wonder Woman for President.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 227-243, doi: 10.1525/fmh.2018.4.3.227.
 
Sommerland, Yiva and Margareta Wallin Wictorin. “Writing Comics into Art History and Art History into Comics Research.” Writing Comics into Art History and Art History into Comics Research, a special issue of Konsthistorisk tidskrift/Journal of Art History, vol. 86, no. 1, 2017, pp. 1-5.
 
Soper, Kerry. “Walt Kelly’s Pogo and the Politics of De/Re-Racialization in Midcentury Comics.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 1, 2017, pp. 4-26.
 
Sousanis, Nick. “Frames of Thought.” PMLA, vol. 133, no. 1, 2018, pp. 154-159.
 
Srinivasan, Shalini Deepa. "Things and Trauma in Sacco’s Safe Area Goražde."  Rupkatha Journal on Interdisciplinary Studies in Humanities, vol. 9, no. 4, 2017, doi: 10.21659/rupkatha.v9n4.06.
 
Stańczyk, Ewa. "De-Judaizing the Shoah in Polish comic books." Beyond Maus: Comic Books, Graphic Novels, and the Holocaust, a special issue of Journal of Modern Jewish Studies, vol. 17, no. 1, 2018, pp. 36-50.
 
Stark, Jessica Q. "Nancy and the Queer Adorable in the Serial Comics Form." Queer About Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 315-345.
 
Stoll, Jeremy. “Art and Avarice: Tracing Careers in the Indian Comics World.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 372-380.
 
Storskog, Camilla Carita. “Millennial Gothic: On Runberg, Homs, and Carot’s Graphic Novel Adaptation of Stieg Larsson’s Millennium Trilogy.” Graphic Gothic, a special issue of Journal of Graphic Novels and Comics, vol. 8, no. 6, 2017, pp. 533-549.
 
Streeby, Shelley. “Heroism and Comics Form: Feminist and Queer Speculations.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 449-459.
 
Sun, Hongyan. “Modular, Proportional, Patterning: Representation of Zhang Guangyu’s Ornamental Style in His Comics.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 341-356.
 
Sundberg, Martin. "The Collapse of the Word-Image Dichotomy: Towards an Iconic Approach to Graphic Novels and Artists’ Books." Writing Comics into Art History and Art History into Comics Research, a special issue of Konsthistorisk tidskrift/Journal of Art History, vol. 86, no. 1, 2017, pp. 31–44.
 
Suzuki, Shige (CJ). “Gekiga, or Japanese Alternative Comics: The Mediascape of Japanese Counterculture.” Introducing Japanese Popular Culture, edited by Alisa Freedman and Toby Slade, Routledge, 2017, pp. 265-276. 
 
Tarbox, Gwen Athene. "Young Adult Comics and the Critics: A Call for New Modes of Interdisciplinary Close Reading." Children's Literature Association Quarterly, vol. 42, no. 2, 2017, pp. 231-243.
 
Taylor, Aaron. “The Continuing Adventures of the ‘Inherently Unfilmable’ Book: Zack Snyder’s Watchmen.” Cinema Journal, vol. 56, no. 2, 2017, pp. 125-131.
 
Thomas, Cathy. “’Black’ Comics as a Cultural Archive of Black Life in America.” Comics, a special issue of Feminist Media Histories, vol. 4, no. 3, 2018, pp. 49-95, doi: 10.1525/fmh.2018.4.3.49.
 
Tilley, Carol L. “A regressive formula of perversity: Wertham and the women of comics.” Special issue of Journal of Lesbian Studies, vol. 22, no. 4, 2018, doi: 10.1080/10894160.2018.1450001.
 
Turnes, Pablo. “Drawing Memories. The ‘Comics for Identity’ Project in Argentina as an Ethical and Aesthetical Challenge.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 202-212.
 
Ursini, Francesco-Alessio. “David Bowie’s Influence on JoJo’s Bizarre Adventure.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 15 March 2017, doi: 10.16995/cg.95.
 
---. “Themes, Focalization and the Flow of Information: The Case of Shingeki no Kyojin.” The Comics Grid: Journal of Comics Scholarship, vol. 7, 15 March 2017, doi: 10.16995/cg.83.

Vaca, Waldimir Chávez. “The Film Noir’s Aesthetics in a Graphic Novel: The Case of Angelus Hostis (2012).” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 97-123.
 
Vaughan, Philip. “No Cricket Strips Here! An Interview with Dez Skinn.” Studies in Comics, vol. 8, no. 1, 2017, pp. 85-102.
 
Velentzas, Irene. “Seeing the Sensation: Sketch-Journaling and the Embodiment of Mental Illness in Autographics.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 2, 2017, http://www.english.ufl.edu/imagetext/archives/v9_2/velentzas/.
 
Venkatesan, Sathyaraj and Anu Mary Peter. “’No Time to Rest, Vent or Mourn’: Medical Intern Narratives and Graphic Medicine.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 2, 2017, pp. 186-204.
 
Vernon, Alice. “Colossal Bodies: Re-Imagining the Human Anatomy in Hajime Isayama’s Attack on Titan.” Journal of Graphic Novels and Comics, vol. 8, no. 5, 2017, pp. 480-493.
 
Verstappen, Nicolas. “Prayoon Chanyawongse’s Cartoon Likay: Amalgamating Likay Theatrical Form and Comics into a Unique Thai Genre.” The Comics Grid, vol. 8, 1 June 2018, doi: 10.16995/cg.121/.
 
von Rosen, Astrid. “Warburgian Vertigo: Devising an Activist Historical Methodology by Way of Analysing the ‘Zine’ Family Fun.” Writing Comics into Art History and Art History into Comics Research, a special issue of Konsthistorisk tidskrift/Journal of Art History, vol. 86, no. 1, 2017, pp. 6-30.
 
Wallace, Rachel. “’She’s Punch Drunk!!’: Humor, Domestic Violence, and the British Working Class in Andy Capp Cartoons, 1957-1965.” Journal of Popular Culture, vol. 51, no. 1, 2018, pp. 129-151.
 
Wallner, Lars. “Speak of the Bubble – Constructing Comic Book Bubbles as Literary Devices in a Primary School Classroom.” Journal of Graphic Novels and Comics, vol. 8, no. 2, 2017, pp. 173-192.
 
Walshe, Shane. "Pardon my French . . .  and German . . .  and Irish . . . (Mis)speaking in tongues in Marvel comics." The Language of Pop Culture, edited by Valentin Werner, Routledge, 2018, pp. 49-71.
 
Wanzo, Rebecca. “The Normative Broken: Melinda Gebbie, Feminist Comix, and Child Sexuality Temporalities.” Queer about Comics, special issue of American Literature, vol. 90, no. 2, 2018, pp. 347-376.
 
Weber, Wibke and Hans-Martin Rall. “Authenticity in Comics Journalism: Visual Strategies for Reporting Facts.” Journal of Graphic Novels and Comics, vol. 8, no. 4, 2017, pp. 376-397.
 
Wege, Birte. “Representing Unrepresentability: Manu Larcenet’s La Ligne de Front and the Quest to Document the ‘Spirit’ of War.” ImageTexT: Interdisciplinary Comics Studies, vol. 9, no. 1, 2017, http://www.english.ufl.edu/imagetext/archives/v9_1/wege/.
 
Wessely, Christian. “On the History and Hermeneu 10.25364/05.3:2017.1.2tics of Comics.” Journal of Religion, Film, and Media, vol. 3, no. 1, 2017, pp. 17-44, doi: 10.25364/05.3:2017.1.2.
 
Wessely, Christian and Alexander D. Ornella. “Editorial: The Relevance of Comics and Their Screen Adapatations.” Journal of Religion, Film, and Media, vol. 3, no. 1, 2017, pp. 9-16, doi: 10.25364/05.3:2017.1.1.
 
Wheeler-Nicholson, Nicky. “Applying the Lasso of Truth to The Secret History of Wonder Woman by Jill Lepore.” International Journal of Comic Art, vol. 19, no. 2, 2017, pp. 8-45.
 
White, Andrew. “All There Is: Drawings, Diagrams, and Short Essays on Kevin Huizenga’s Ganges: The River at Night.” Inks: The Journal of the Comics Studies Society, vol. 2, no. 1, 2018, pp. 49-67.”
 
Williams, Keira V. “From Oz to Amazon Island: The Popular Evolution of American Matriarchalism.” Journal of Popular Culture, vol. 50, no. 5, 2017, pp. 1003-1023.
 
Wolf, Mark J.P. “World-Building in Watchmen.” Cinema Journal, vol. 56, no. 2, 2017, pp. 119-125.
 
Wong, Wendy Siuyi. "The History of Hong Kong Comics in Film Adaptations: An Accidental Legacy." The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, Oxford UP, 2017, pp. 386–406.
 
Woo, Benjamin. “Comics ⟷ Media: Comics Aren’t Literature, and That’s Fine.” Flow: A Critical Forum on Media and Culture, vol. 24, no. 2, 2017, http://www.flowjournal.org/2017/10/comics-arent-literature/.
 
---. “Comics ⟷ Media: Bam! Pow! Comics Aren’t Just for White Men Anymore!” Flow: A Critical Forum on Media and Culture, vol. 24, no. 5, 2018, http://www.flowjournal.org/2018/02/comics-⟷-media-bam-pow-comics-arent-just-for-white-men-anymore-benjamin-woo-carleton-university/.
 
---. “Comics ⟷ Media: What’s a Comic Book Fan Worth?” Flow: A Critical Forum on Media and Culture, vol. 24, no. 7, 2018, http://www.flowjournal.org/2018/04/whats-a-comic-book-fan-worth/.
 
Wysocki, Lydia. “Farting Jellyfish and Synergistic Opportunities: The Story and Evaluation of Newcastle Science Comic.” The Comics Grid: Journal of Comics Scholarship, vol. 8, 20 March 2018, doi: 10.16995/cg.119/.
 
Yarhouse, R. Brad. “Examining Film Engagement through the Visual Language of Comics.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 384-404.
 
Young, Lin. “Gutter Ghosts and Panel Phantasms: Horror, Haunting, and Metacomics.” International Journal of Comic Art, vol. 19, no. 1, 2017, pp. 243-269.
 
Young, Richard. “The ‘Real Victims’ of the Vietnam War: Soldier versus State in American Comic Books.” Journal of Popular Culture, vol. 50, no. 3, 2017, pp. 561-584.
 
 Zu, Zola. “China’s Cartooning in the War of Resistance against the Japanese Invasion.” International Journal of Comic Art, vol. 19, no. 1, pp. 586-594.

BACK TO TOP